non-traditional research publications:

 

2020 The Guest House, Hutchison, S., McCormick, J., Browning, Y., Brumpton, A., Rixon, T., Zalenska, M., Milford, N., Skelhorn, 

           M., Moyle, G., Brisbane

2019 Repeat (Invited Performances) Demer, L-P., Hutchison, S. in Elektra Festival, Montreal

           Repeat (Invited Performances) Demer, L.P., Hutchison, S. in Robotronica, Brisbane

2018 Eve of Dust (Peer Reviewed Performances) McCormick, J., Nash, A., Hutchison, S. in Siggraph Asia Art Gallery, Tokyo

2017 The Garden of Unearthly Delights (Commissioned Performances) Roberts, J., Donovan, J., Browning, Y., Hutchison, S., 

           Makeham, P. in Robtronica, Brisbane

2016 The Garden of Miniscule Delights (Commissioned Performances) Roberts, J., Donovan, J., Browning, Y., Hutchison, S., McCormick, J., Arthurs, A. in CreateX, Brisbane

2015 Emergence (Peer Reviewed Performances) International Workshop on Movement and Computing and International 

           Symposium of Electronica Art, Vancouver

           meta (Peer Reviewed Performances) International Workshop on Movement and Computing and International 

           Symposium of Electronica Art, Vancouver

           Emergence (Invited Performances) Does It Matter? Composite Bodies and Posthuman Prototypes In 

           Contemporary Performing Arts Conference, Ghent

           meta (Invited Performances) Does It Matter? Composite Bodies and Posthuman Prototypes In Contemporary 

           Performing Arts Conference, Ghent

           Pinoke (Invited Performance), Opening the Unite Melbourne Conference for Unity 3D, Melbourne

           VOX LUMEN (Commissioned Performances), White Night Melbourne and Federation Square, Melbourne

2014 The Crack Up (Invited Performances), Deakin Motion.lab, Melbourne Knowledge Week, Malthouse Theatre, Melbourne

2013 WORK (Curated Performances), Dancehouse Invites Program, Dancehouse

 

 

traditional research publications:

 

Book Chapters

 

2021 What robots learn from performative relationships and interactive performance, S Hutchison and J McCormick, Materializing Digital Futures:             Touch, Movement, Sound and Vision, 223 - 242 Bloomsbury 

 

2014 Skin to skin: performing augmented reality, K Vincs, A Bennett, J McCormick, JB Vincent, S Hutchison, Augmented 

           Reality Art, 161-174

 

 

Peer Reviewed Journals

 

2020 Feels Like Dancing: Motion capture driven haptic interface as an added sensory experience for dance viewing, J 

           McCormick, M Hossny, M Fielding, J Mullins, JB Vincent, K Vincs, S Hutchison, Leonardo, 1-9 (Q1)

 

2015 Learning to replace a Human: A Virtual Performing Agent, J. McCormick, S. Hutchison, A. Nash, K. Vincs, S. Navahandi, 

           D. Creighton, International Journal of Virtual Reality  

 

 

Peer Reviewed Published Conference Papers (published in the ACM)

 

2014 Teaching a digital performing agent: Artificial neural network and hidden markov model for recognising and performing 

           dance movement, J McCormick, K Vincs, S Nahavandi, D Creighton, S Hutchison, Proceedings of the 2014 International 

           Workshop on Movement and Computing, 70 

 

2013 Dancing in suits: a performer's perspective on the collaborative exchange between self, body, motion capture, animation 

           and audience. S Hutchison, K Vincs, ISEA International (Peer Reviewed Paper)

 

 

selected research presentations:

 

Invited Presentation

 

2019 Mediating Human Robot Performances Through Virtual Environments (Invited Panel Discussion), Performing Robots 

           Conference, Utrecht 

2018 Physical Thinking Prototypes and Post-Digital Calibration (Invited Talk), Coventry University – Centre for Dance Research,  

           Coventry 

           Transdisciplinary Creative Practice: Inside the Ars Electronica Futurelab Academy @QUT (Invited Talk) Ars Electronica 

           Festival, Linz 

           Transdisciplinary Creative Practice: Inside the Ars Electronica Futurelab Academy @QUT (Invited Talk) In Art-making,

           Machines and Creative Learning Seminar UNESCO Education Week, Brisbane

2017 Ars Electronica Futurelab Academy – Greg Jenkins, Steph Hutchison and Peter Holzkorn (Invited Presentation), Ars 

           Electronica Festival, Linz

2016 Documentation and Annotation of Dance Practice, Choreographic Coding Lab (Motion Bank Institute), Auckland University 

           of Technology, Auckland

 

Invited Workshop

 

2018 Post-Digital Calibration (Invited Embodied Practice Facilitation) @ the Choreographic Coding Lab – Motion Bank, Mainz 

           Post-Digital Calibration (Invited Workshop) Malmo University – K3 Interaction Design, Malmo

2016 Choreographic Coding Lab (Invited Workshop Facilitation for Motion Bank Institute), Auckland University of Technology, 

           Auckland 

 

 

Panel Discussion

 

2019 Performing Robots (Panel Discussion) – Brisbane Powerhouse, Brisbane

2018 Digital Affordances and Entanglement (Panel Discussion) – Brisbane Powerhouse, Brisbane

2015 Emergence and transformation in digital dance environments, (Invited Panel Discussion: John McCormick, Steph 

           Hutchison and Kim Vincs), Does it Matter? Composite Bodies and Posthuman Prototypes in Contemporary Performing      

           Arts Conference, Ghent

 

 

Peer Reviewed Presentation

 

2018 Eve of Dust – Artist Talk (Peer Reviewed Panel Discussion), Siggraph Asia, Tokyo

2017 National Dance Forum (Peer-Reviewed Presentation), Melbourne 

2015 Meta: notes from a dancer inside a duet with an AI Agent (Peer Reviewed Presentation), International Symposium of 

           Electronic Art, Vancouver

2014 Teaching a Digital Performing Agent: Artificial Neural Network and Hidden Markov Model for recognising and performing 

           dance movement, (Peer Reviewed Presentation: John McCormick and Steph Hutchison) International Workshop on 

           Movement and Computing, Ircam Centre, Paris

2013 Sampling: Choreographic Interventions for Dance and Circus (Peer Reviewed Presentation), Paper Presentations – 

           Tertiary Dance Week, Dancehouse

           WORK: a performed paper (Peer Reviewed Performance Paper), TDENNZA Conference, Hamilton 

           Dancing in Suits: a performer’s perspective on the collaborative exchange between self, body, motion capture, animation

           and audience. (Peer Reviewed Paper Presentation) Presented at ISEA Sydney

2012 WORK: A POETICS OF ENDURANCE WITHIN THE VISCOUS SOLO (Peer Reviewed Performance Presentation), A 

            performed paper for the ‘Positive Feedback Loop: Conference for Creative Collaboration’, Brisbane

 

 

Invited Performance

 

2019 Eve of Dust (Performances), Bodies of Tech Exhibition and Panel for QUT Creative Lab, Brisbane Powerhouse, Brisbane

2019 Repeat (Curated Performances), Elektra Festival, Montreal

2018 Eve of Dust (Peer Reviewed Performances), Siggraph Asia, Tokyo

2015 Emergence (Peer Reviewed Performances) International Workshop on Movement and Computing and International 

           Symposium of Electronica Art, Vancouver

           meta (Peer Reviewed Performances) International Workshop on Movement and Computing and International 

           Symposium of Electronica Art, Vancouver

           Emergence (Invited Performances) Does It Matter? Composite Bodies and Posthuman Prototypes In 

           Contemporary Performing Arts Conference, Ghent

           meta (Invited Performances) Does It Matter? Composite Bodies and Posthuman Prototypes In Contemporary 

           Performing Arts Conference, Ghent

           Pinoke (Invited Performance), Opening the Unite Melbourne Conference for Unity 3D, Melbourne

           VOX LUMEN (Commissioned Performance), White Night Melbourne and Federation Square, Melbourne

2014 The Crack Up (Invited Performances), Deakin Motion.lab, Melbourne Knowledge Week, Malthouse Theatre, Melbourne

2013 WORK (Curated Performance), Dancehouse Invites Program, Dancehouse